Tag Archives: H.O.W. Now

Young Poets Part VI

H.O.W. Journal is thrilled to publish our SIXTH selection of younger poets, curated by Catherine Pond. Enjoy, and scroll down to read earlier selections. Marina Blitshteyn: ‘My Heart’s Structure is Sound’ hums out the relationship between love and violence, between grace and wildness. It is not only a song, steady and pervasive, but also the anatomy of a conflicted heart. Marina Blitshteyn is the author of Russian for Lovers (Argos Books, 2011) and is currently an adjunct instructor at Fordham and Pace Universities.  * Victoria Bay: With elegance, painful candor, and an alluring surrealism, Bay’s poems ‘Agnosognosia’ and ‘A Burr is a Seed or Dry Fruit in which the Seeds Bear Hooks or Teeth’ embody a fractured psychology and reveal one daughter’s relationship to her mother. Victoria Bay received her BA from Smith College. She is currently an MFA candidate and a Research Arts student at Columbia University. * William Fargason: For the narrator in Fargason’s heart-breaking poem, ‘Sour Wine,’ love is intrinsically linked to guilt, whose ‘poplar yoke wore my shoulders raw.’ William Fargason is a graduate of Auburn University. He is currently a poetry M.F.A. candidate at the University of Maryland. His previous work has appeared in Eclectica Magazine. * Elizabeth Metzger: Metzger’s voice gently scythes in ‘Boy with Barn Owl,’ a tenderly fatal rendering of time and the pastoral. Elizabeth Metzger is an MFA student at Columbia University. She currently works at Parnassus: Poetry in Review. * Shelley Wong: ‘Fidelity’ handles the subject of desire with fluidity and poise, speaking to the feelings of inadequacy that desire brings to light within each of us. Shelley Wong is an MFA candidate at Ohio State University and Associate Poetry Editor for The Journal.

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Young Poets Part IV

H.O.W. Journal is thrilled to publish the fourth part of our selection of poems by younger poets, curated by Catherine Pond. Enjoy! Lauren Clark: Intimate, poignant, sometimes ferocious, the clear voices in ‘You Write to Me’ and ‘Meditation’ occupy the dark imaginative space between want and need. Lauren Clark is an MFA candidate at the University of Michigan and serves as an editorial intern at the Michigan Quarterly Review.  She is most famous for her enduring love of Beyoncé. Soren Stockman: ‘The Bigger Fire’ and ‘Permission’ are statuesque, chiseled down to a fine, bright logic. Soren Stockman is Program Coordinator for the Summer Literary Seminars program in Vilnius, Lithuania. He is currently an MFA candidate at New York University. His writing has appeared or is forthcoming in Playboy, Narrative Magazine, Tiferet Journal, and La Fovea. K.T. Billey: Atmosphere transforms the speakers in ‘Wind’ and ‘Wild Thing Worn Thin,’ two poems that gracefully depict the unraveling world. Hailing from Alberta, Canada, K.T. Billey now lives in New York City. Billey’s poetry has appeared in Other Voices and Blue Stockings Magazine. Marc Jaffee: ‘Blues in the Night’ and ‘Frescoes at Noon’ proceed as part dream-scape, part confession as they bring to light the unendurable with gentle candor. Marc Jaffee is a founding editor of Box of Jars, an online journal of art and literature. He currently lives in Brooklyn. His poems have appeared in The Best American Poetry, The St. Petersburg Review, and others. .

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